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Ghare-Baire (Home and the World)

1984, India. 140 min., Color, In Bengali with subtitles


1905. Winter. Bengal, India. The period of British rule in India. Following the ‘divide-and-rule’ policy, Lord Curzon has decided to partition Bengal; one for Hindus and another for Muslims. The people launch a nationalist movement – Swadeshi, appealing for a boycott of foreign-made goods. The movement is symbolised by public burning of foreign-made goods, mainly the British textiles. 

Bimala (Swatilekha Chatterjee) is the wife of a landlord-king Nikhil (Victor Banerjee) who has had a Western education in England and has liberal views. She is content to live in seclusion of her inner apartments and has no desire break the custom to explore the outside world. Nikhil is the only man she has ever interacted with. She met him first on their wedding day. 

Nikhil wants her to come out of Purdah into the outside world. They share a loving relationship, but he convinces her that he will never know if she really loves him unless she has opportunity to meet others and prefer him over other men. 

At his coaxing, she begins to take lessons from an English governess, and takes the symbolic walk down the corridor to the outside world for the first time. 

Nikhil introduces her to his radical friend Sandip (Soumitra Chatterjee). Sandip is a charismatic nationalist leader, staying as a guest in the palace. He is leading the boycott of foreign made goods, but his ire seems to be directed against traders who sell imported goods who are mostly Muslims. 

Sandip overwhelms Bimala. He is a contrast to her quiet, reasonable and passive husband. Sandip is also a Parasite, borrowing money from Nikhil to sustain his lavish life style while leading the Swadeshi movement. 

Soon it becomes apparent to Nikhil that the two of them are in love. Bimala even takes her husband’s money to finance Sandip’s taste for the first-class travel. And all this time Nikhil stands-by, letting Sandip stay in his palace. He does nothing even though he is opposed to Sandip’s ideas, being aware that the traders in foreign goods are mostly poor Muslims and the boycott will further divide the two communities… For, Bimala has to find out the duplicity of Sandip’s motives and behaviour by herself.

Swatilekha Chatterjee as Bimala Choudhury
Swatilekha Chatterjee as Bimala Choudhury
Charu observes the world through the crevices of her window
Charu, like Bimla (above) observes the world from inside the home. Bimala of Ghare-Baire has a lot in common with Charu of Charulata 1964


Ghare-Baire is adapted from a Rabindranath Tagore novel by the same title. The novel is based on Tagore’s own experiences as a Swadeshi leader. During this period, Tagore composed many songs for the cause. Sandip sings one such song in the film.Central to the film is the changing character of Bimala. She moves from total seclusion to acting recklessly with courage. Like in Charulata (The Lonely Wife, 1964), Ray explores the emergence of the modern woman by moving away from the traditional expectations.

In comparison with Charulata, though, Ghare-Baire lacks the cinematic poetry. It is very verbal instead. And yet these lengthy scenes of conversations generate a spark.

Sandip, the radical leader, is played by Soumitra Chatterjee, a Ray regular, and the husband Nikhil played by Victor Banerjee (Prime Minister in Ray’s Satranj Ke Khilari; Dr. Aziz in David Lean’s “A Passage to India. “).

Rabindranath Tagore, Author of both Ghare Baire and Charulata
Rabindranath Tagore, Author of both Ghare Baire and Charulata

What others say…

... the main characters talk, and the camera just stays on them and waits until they finish, yet these conversations in golden light and shadows have their own kind of voltage.
Pauline Kael
Pauline Kael
Film Critic


  • Best Bengali Film, New Delhi, 1984
  • Best Costume design, New Delhi, 1984
Bimala and Sandip
Bimala and Sandip
Nikhil (Victor Banerjee) and Bimala (Swatilekha Chatterjee)
Nikhil (Victor Banerjee) and Bimala (Swatilekha Chatterjee) ©Nemai Ghosh


Producer: NFDC, National Film Development Corporation of India
Screenplay & Direction: Satyajit Ray, Based on the novel “Ghare Baire” by Rabindranath Tagore
Cinematography: Soumendu Roy
Editing: Dulal Dutta
Art Direction: Ashoke Bose
Sound: Robin Sen Gupta, Jyoti Chatterjee, Anup Mukherjee
Music: Satyajit Ray


Sandip Mukherjee: Soumitra Chatterjee
Nikhilesh Choudhury (Nikhil): Victor Banerjee
Bimala Choudhury: Swatilekha Chatterjee
Headmaster: Manoj Mitra
Amulya: Indrapramit Roy
Kulada: Bimala Chatterjee
Miss Gilby, English governess: Jennifer Kapoor
Nikhil’s sister-in-law: Gopa Aich
Bimla and Miss Gilby
Bimla and Miss Gilby
Bimla and Sandip
Bimla and Sandip
Sandip, Bimla and Nikhil
Sandip, Bimla and Nikhil
THE HOME AND THE WORLD, (aka GHARE-BAIRE), from left: Soumitra Chatterjee, writer/director Satyajit Ray, on set, 1984.
THE HOME AND THE WORLD, (aka GHARE-BAIRE), from left: Soumitra Chatterjee, writer/director Satyajit Ray, on set, 1984. ©Nemai Ghosh